Camera Earth

Camera Earth
Photography and Videography lovers zone

7 Secrets To Shoot Film or Video Like A Pro

We all are inspired by films to take a decent video of our video cameras – there's, unfortunately, a gap between what we want and what we should do. Like photography, good videography requires a level of skill and artistic skill. After all, there is more to photograph than just pressing the record button.Let's discuss how to shoot a film or any video like a pro. For better or for worse, I learned a lot about how to shoot professionally. I don't promise you will get an oscar for your efforts, but you will avoid giving viewers who look like amateur-can't-a-camera-steady.

1. Be a Good Student

Just like any other artwork, you need to know your tools. For example, if you are recording your son's baseball game, you need to increase the shutter speed to ensure that your image has no motion blur. If your shot is far away and you are close to zoom in, you will need to pay attention to the camera focus and switch it to manual to avoid focusing focus. It really got down to reading the manual and reading the tools. At first, it may seem difficult, but if you deal with one idea at a time and put yourself in the shooting, it will make sense, and it will be a second state. To make things easier, I recommend keeping a cheat sheet available if needed.



2. Be Prepared

Think of a camp-like video, and you always need a survival kit.

- Bring more batteries to help - you never know when you will need them.

- Empty tapes added. The higher quality video you have simplifies the editing process.

- Lens cleaning cloth. You don't want to get caught in a situation where you have a smudge, and you don't have anything safe to clean your glass with. This is a situation where late production is useless.

- Bring a tripod. Strong shooting goes a long way in preventing motion sickness. You will be amazed at how much better your guns will look.

- Battery charger/power supply. Having the ability to charge your batteries ensures less downtime and more content.

- Long cable extension cords. He wants to prepare us for the worst possible situation. Usually, in jobs, I'll cut the strings if a local receiver isn't available.

- Tape tape by taping down the extension cord so that people do not trip over it. You do not want to be sued.

- Lighting gears, lens filters, and microphones, and any other accessories you may need. These are your advanced video editing tools. Unless you feel lazy, don't leave home without them.

3. Say YES to the tripod

Most home videos end up looking moving, dragging views. Even a small $ 30 investment in a tripod, your footage look will look professional and stable. Also, you will have the ability to make pans and zoom without a problem.No tripod? Lean against the wall to reduce vibration. OK, no wall say that? Put your hips down, get on your knees, and throw your elbows at them.If your shooting is an event where space is limited, or you are constantly on the move, I recommend monopod. This saves real life. Not only can you find shots fixed on a rock, but you also live in a small space, and you can move in a matter of seconds.

4. Give me light

No matter how good your camera is. If you have a bright light, it will show (no pun intended) on your video. The quickest solution to overcoming the problems of lighting a shot outside is best in the morning or late afternoon. Why? During these days, the light is less intense and reveals a softer look in the video - no shadows over the eyes, blinking, or washing skin tones.If you have to shoot in the house, be careful where the light is directed to the room. Avoid shooting your front lessons near the bright windows behind them. You do not want your camera to expose the background leaving your front cover dark. Definitely let a lot of light into the room and try to let the light from behind you guide your story. When the light levels are low, their best practice is to disable autofocus or you will encounter problems as the camera tries to focus properly.



5. Hi-Fi audio

Most people do not see a good sound but are sure they hear a bad sound. Finding a good sound takes some work, but it is possible. Microphones built in to most cameras are a good foundation and are not considered high quality. When working in an uncontrolled environment at all times, it is best to get as close to the source as possible to ensure a clean recording. You need to monitor your audio with headphones to ensure good results.

6. Composition

The right design is everything when setting up a good gun. Professional video creators obey "the law of three," and you should do the same. Think of a tic-ted board over your viewer. The lines interact in four places. Your goal should be to fence off the action using one or more of those areas.Of course, art is considered, and you can break this rule if you sense creativity. But self-control: you don't want to alienate your audience.

7. Shoot the B-Roll

B-Roll is the second drawer used for a removable gun to connect your first gun. B-roll footage removal can be used to hide unpleasant shots or mistakes you may have made while shooting. If you are recording your wedding, you can take a church gun, an invitation, and a little bride and groom over the cake. When it's time to cut your movie, you mix in the videos to hide mistakes and add variety.There are no hard and fast rules. Anything can be a B-Roll. If you read television shows or news stories, you will see the continued use of B-Roll. Basically, the glue to connect and connect the scenes together. As you get the information, you will be able to visualize your planning and what you need before shooting. As the old adage goes, practice makes perfect.

Previous
Next Post »

please don't enter any spam or adult link ConversionConversion EmoticonEmoticon